Bates Motel stars, Max Thieriot and Kenny Johnson, took the time chat about the show and their characters during a recent press call. Bates Motel airs Monday nights at 10 on A&E.
Q: You guys have had some really great scenes together. Can you just start by talking about working with each other?
Kenny Johnson: Well, yes. I mean, it was kind of amazing for me because when I showed up on the set, Max came right up to me and said, “It’s going to be a pleasure working with you and I can’t wait.” And he was pretty – really down to earth and connected and I had been a huge fan of this show the prior season and really been intrigued by his character. So I had this whole thing honed in on Max prior to getting offered this role. So, it just – there was some striking similarities and mannerisms and things that were going on between us that made it real. There was – it just seemed familiar and it made it incredibly real for me and for the character Caleb. He’s been seeking and searching a connection with his family member and when he finds out, obviously, Max is Norma’s son, this is something that opened up and happened naturalistically between the two, for me. I thought it was pretty wild.
Max Thieriot: Yes, definitely. I think from the minute Kenny showed up, the two of us really hit it off off-screen, so that really translated over to all these scenes where I know of him as Uncle Caleb and we’re bonding and he’s connecting back into the family and I’m being able to reach out and find out more about the family that I’ve never known. So a lot of that came naturally and I think that Kenny and I had a good flow and gelled through all of our scenes because we were able to connect on and off screen and relate to each other.
Q: Max, can you just talk a bit about how – the reveal and everything, how that’s going to affect your character’s relationship with Norma. Can he get over – can they connect more after this?
Max Thieriot: Well, I don’t know, but it’s a big trial moment now for Dylan because obviously they’ve had so many speed bumps in their relationship in general, but now this is probably the biggest thing that he’s going to have to try and cross if he does want to get over it. And at this point in time where we are in the show, I think it’s a realization for him too because I think he’s all of a sudden realizing maybe this is why he’s always felt like an outsider. Maybe this is why he never really fit in and he felt like he was always on the back burner to Norman in this, because of where he came from. And maybe he was born out of a little bit of hatred. And so right now, obviously, he’s just extremely angry and frustrated and confused and going through a million different emotions. So, I think definitely this is a changing point for Dylan. It’s a – basically decide how he’s going to get past this because there’s so many different ways that he can approach this information that he’s been given.
Q: Kenny, it looked like you were packing your bag and leaving town at the end of the last episode. What can you talk about without giving away too much? Is it the bombshell of thinking that you may actually have a son or do you totally not believe Norma? Why are you staying in town? What can you tell us about that?
Kenny Johnson: Yes, that’s a good question. I haven’t seen Norma for twenty-odd years and seeing a son — Norma’s son — it’s – I don’t know. It was a pretty wild reality check and at that point I think he’s just more curious and he doesn’t leave town because I think he wants to somehow reconnect with Norma. I think it’s really important for him to face some of his demons from his past or what they had maybe gone through and you can run for only so many years. And finding out that might be his child, Dylan is obviously a shock in that moment and I’m sure makes him think back — what happened in high school? Okay, who is this boyfriend, the timing of everything — and it’s a whirlwind for him. When he goes, it just seems like he’s overwhelmed by all this information and he just realizes it’s affected everybody in not a very positive way and it was everything not what he expected or probably had hoped for going into the town. So, yes, I think he just needs to get out and clear his head and wrap his head around it at that point. For the moment that’s what’s going on.
Q: Max, despite the fact that you found out you were the child of incest, you seem to be the only sane person in your family. Do you play it a certain way because of that or is that something that you just ignore? Can you talk a little bit about how you interpret your character?
Max Thieriot: I think Dylan is the window for the viewer into the life of Norman and Norma, the behind the scenes they wouldn’t be able to see otherwise. But I’ve always said that — and everybody says that — Dylan is the sane one. But if you look at some of Norma’s issues and quirks and the things that make her who she is, Dylan is still her son. And so I think underneath all of it there’s still some of that gene and it flares up every once in a while. But I think for the most part he’s just trying to survive and get by, but he definitely still has some issues like everybody else in the family. And now, obviously, it’s tough too. It’s tough for Dylan because it seems like as soon as he starts to hit his stride and when everything’s okay, his world comes crumbling down again and it’s a constant rollercoaster for him of ups and downs in his relationship with Norma. And at this point he’s basically gone up as high as he has possibly every gone and now he’s really taking the fall this time. And so, I think it’ll be a really trying experience for Dylan that will ultimately define his character — this knowledge of what he’s come to know or maybe think he knows about his uncle and his dad.
Q: Kenny, what was it like acting opposite Freddie as Norman slipped into his Norma persona?
Kenny Johnson: Yes, it was pretty wild. He was able to filter that whole thing – which it really kind of stung me. And at the beginning, Caleb is looking at him like, what the hell is this kid talking about? And the more he got into information, the more I realized that he was filtering Norma through him, which was really intense and wild and a really tricky scene, I think, to play. But he did it beautifully, and Freddie’s one of those guys that commits a thousand percent in what he does and it was fun. When you get to play opposite of Max and Freddie and there are people that are so incredibly 1000% right there and real in those moments, it just makes it – I just find it pretty awesome to react to that and to go with it. And he really gets into his Freddie Highmore – I mean, his Norman character. It’s pretty scary.
Q: Max, how early did you know that — for sure — Caleb was Dylan’s father and how did that affect your performance this season?
Max Thieriot: I think even still up to this point, he doesn’t want to believe that this is true, but deep down I think he knows — besides the resemblance and all the similarities and the traits — that this makes sense. And as much as it doesn’t, it does. I think what’s awesome is as soon as Kenny showed up, it was – we’re such a tight-knit family on the set between Vera, Freddie, and I. And Kenny showed up and he fit right into the family. It was like it all made perfect sense and so then when these scenes were being played and acted out, it all had such a nice flow to it. And I think – I don’t know. As the season goes on, you can definitely see this change throughout Dylan as he slowly digests this information over the episodes and figures out how to deal with them. But I think the first time that he really hears it is obviously when he’s fighting Norman at the end of episode three – or lack thereof of fighting Norman – of getting beat up by Norman. I’m still trying to add it up. Everybody goes, how does he beat you up so easily? I don’t know.
Kenny Johnson: Yes, because he’s Norman, so (unintelligible), who knows. Oh about what? Oh about that. Oh my God, yes, I know. I was thinking the same thing. You must be hitting the gym a lot. You’re talking about Freddie and you, you mean? Well, adrenal kicks in and you never know.
Max Thieriot: I was like, he’s not a superhuman. He’s just crazy.
Kenny Johnson: You were just getting smacked around. He just wears the beating you give him.
Max Thieriot: Exactly.
Kenny Johnson: That was funny, man.
Q: Max, your character has really, I think, grown into someone fans want to root for. Should we expect to see a shift in that line of thinking after everything that’s happened? Will you still remain sympathetic?
Max Thieriot: I hope not. When Dylan showed up first and I read it from the first couple episodes, I thought, everybody’s going to hate this guy. But that’s what was so interesting was you introduce a character that, initially, everybody wants to hate, and then you try and make the transition into a character that everybody is supposed to sympathize with and understand and maybe relate to in certain ways. And I think this isn’t the change of Dylan as to where we change how we feel about him. I think, if anything, because of this experience and what he’s going through, we see more – because he always puts on this tough façade and so we get to see more of this vulnerable human side to him that we don’t get to see. And I think, if anything, it brings the viewer — in a very tough bunch of scenes and environment — a little closer to Dylan and just understand a little more about him and see another side to him that’s possibly another good side, a very positive side to him.
Q: Kenny, right from the start Caleb has been the trait of this monster from Norma’s past. Would you say there’s any hope of redemption with your character or is he past the point of no return, no forgiveness?
Kenny Johnson: I – yes. I don’t know. That’s obviously up to where they’re going to go with it. He was hoping for some sort of redemption for the whole thing. And yes, he is being painted as a monster, obviously, by Norma. I would say – it’s funny how we view our childhoods and how people remember it. And some people take on these sides that something was so horrific and horrible and this other person was so bad to them, and the other person viewed it as something different. And again, I’ve got my own history between Francis and Ray — which are our parents — and ourselves growing up in Akron, Ohio, and then she’s got hers. And I’ve been away for twenty-four years and you think the past can go away, but sometimes it just sits there and haunts you until you face it. And this is his chance to face it and so far it’s gone horrifically wrong and he found out a bunch of things – yes, it’s like throwing him into a little whirlwind in his head. So, I don’t know. Max, you’re doing great work. It’s so great to watch.
Max Thieriot: I appreciate that, man. I love in these episodes when you come into the season. I think it just really – for me, the season picks up a lot when you come into it as a whole other sort of…
Kenny Johnson: Dude, it’s crazy. Reading it on paper and then actually seeing it acted out and seeing what it really is. It blew my mind. This last episode blew my mind and I’m like, oh my God man. Yes, it definitely throws in a whole other thing there, whatever.
Max Thieriot: Oh yes.
Q: Can you give us any hints as to what we can expect, specifically, from the next episode that’s coming up on Monday?
Max Thieriot: Any hints on what to expect — well obviously the Bates family is in shambles right now. Everybody’s torn apart. Norman has just had this wild – another Norman kind of blackout. Norma is struggling with dealing with her social life in the town, dealing with her brother showing up. Everybody’s going through some struggles and Caleb is struggling with being here in this environment that he’s thrown himself back into, which is obviously not what he expected to walk into. And so we’re going to pick up and episode five will also deal with more of the stuff of Zane and figure out why he wants us to go pick up this load of guns, what is he planning, the battle that’s ensuing between him and Sheriff Romero. There’s really a lot going on.
Q: Now that we’ve seen Norman go into the Norma persona, how much of that is going to figure in the rest of the season? Because I imagine they don’t want to have him go full-out all the time because there’s still a lot more story to tell before we get to that full transition point.
Max Thieriot: I think the thing is Norman is sort of constantly – I think he’s starting to realize that he has some problems and he’s not really quite sure what they are and he’s not really ready to admit that. But obviously we want to delay some of these things and Norman can’t go all out right away. And so it’s always a constant battle of high school Norman and psycho Norman and those two people fighting inside of him. And obviously psycho Norman also happens to have a lot of Norma in it. And so – but it’s cool because we get to see. The thing is that Freddie plays Norman on edge a lot of the time and he gets easily frustrated with other characters throughout the show, like Cody when he raises the tire iron or something at her. And he is constantly yelling and gets heated and it’s interesting because you never really know when he’s going to snap. But we do get to see him snap, so it’s this constant – is he going to lose it right here or what’s he going to do? But I think – yes, I don’t know.
Kenny Johnson: Yes, it wouldn’t be fair for me to answer. You’d know much better. It’s great that you called him out on that, you know? Maybe there’s some things you don’t know, maybe you should ask (unintelligible).
Max Thieriot: What do you mean?
Kenny Johnson: Yes, exactly. What are you talking about?
Max Thieriot: He plays it so innocent, too. What do you mean?
Kenny Johnson: That’s funny.
Q: In terms of other new members of the cast for the season, how has it been working with them? And I know Michael Vartan, Kathleen Robertson – and what is the role they’re playing and how do they affect the dynamics of the Bates family throughout the season?
Max Thieriot: The great thing about Bates Motel is we’re constantly introducing new characters that are really so dynamic and different and unique. Each character that is introduced in the show, I think, is really unique and that’s what makes it awesome is because they all really stand out by themselves. And I think probably more than any other character that’s introduced this season is Kenny’s character Caleb who is a basically a new Bates family member that we’re introduced to. And I think any time you get to see — when we’re only really ever seeing these three members of this family — a new one, it’s really interesting because of the way that the original three are written and created. And so obviously, the thing about introducing Caleb is you don’t really know what to expect. He’s such a wild card. Is he going to bring good to the family? Are there going to be negative things that he brings? And just being able to figure out what that means because obviously it’s going to mean something.
Kenny Johnson: I was going to say the whole show is so based on the family dynamics and the tension within the family and the sexual undertone and all these uncomfortable situations between the three characters. To me, that’s the show and the thing is like a locomotive train and it’s so electric that it isn’t just think to throw another whole character that came out of the blue that nobody knew about – to throw a wrench into what already exists which is so rich on screen.
Max Thieriot: Yes, and I think all the other characters bring in, too, obviously – everybody’s affecting the lives of these characters. And Kathleen comes in and she’s a part of the drug world and as people are taken out in that world, there’s obviously new people coming in to fill these voids. And you’re always wondering, what are they going to be like? And so it’s cool, you’re just constantly being introduced to new characters and watching them change the dynamic of the show.
Q: Max, was there anything about your character Dylan that wasn’t originally scripted for you but you’ve added to him for your interpretation?
Max Thieriot: I don’t know. I think a lot of stuff ends up being added to the character just inevitable and I think it’s also a constant battle of trying not to bring yourself into the character and trying to let the character be its own thing. I don’t know. that’s a tough one. I try and make each character that I play unique and different from the next and whether this is done by the writing of the producer and creators of the show or something, some quirk that I change and add in. But I think the thing about Dylan is that Carlton and Carrie kind of created this character that’s so unique and already has such a tremendous foundation that it didn’t really require me to pick it apart and come up with something because it was really already there on the pages.
Q: Kenny, what do you think it is about Bates Motel that’s really hooked fans?
Kenny Johnson: Yes, I just find it really raw and authentic and unapologetic with where it goes. I believe that it explores these young kids and this mother and this world that – we all live in a world that’s not perfect, anyway. I find the relationship, obviously, between Freddie and Vera to be so incredibly intriguing and you don’t’ really know what’s going on underneath. And even in this last episode, the way that Freddie just watches Norma and the closeness between them – I just find it super intriguing and to have a character like Dylan as the outsider. I always want to view what’s going on inside the family, and then to get to see it through a character like Dylan, yet see him not completely accepted within the family – it’s just the dynamics are unbelievably intriguing to me. And again, nothing’s made up. These actors are brilliant. When you read the script and then you see what they actually come up with, the acting’s amazing. The writing’s awesome and it leaves an open door for these guys to just creatively dive into this world that has got so many colors. Again, I watched it all of the first season and it was like I was hooked. Every week I was hooked until the next week and I couldn’t wait. It was my only show that I watched on T.V. and me and my wife just sat there and we loved it. Sometimes you can’t explain it, but I just found it insanely intriguing. Yes.
Q: Have you enjoyed the instant feedback you’ve been receiving on Twitter, Kenny, after each episode and what people are thinking about?
Kenny Johnson: Yes. It’s funny because sometimes you don’t know if they’re already people who are fans of yours, so they’re going to like your guy or take your side. But there are definitely some people getting on there like, “I hate you. Leave Norma alone. I don’t ever want you to talk to Dylan again.” And I’m going, oh God. But most of the feedback’s been really interesting and positive. Again, I have no idea how people are going to take this character, nor is it my job to try to think how they’re going to take him. I’m just trying to make the guy human and hopefully people will respond. But it definitely – my God, it throws – yes. What Max has to deal with now is just pretty insane and challenging and I think it’s huge. It’s awesome.
Q: Kenny, could you tell us how you originally became involved in the series, and perhaps a little bit about the audition process for the Caleb role?
Kenny Johnson: I found it – well what happened was I got a call from one of the new writers and consulting producers who I had worked with on Prime Suspect and I know there was a character there called Caleb and she said it’s Norma’s brother. She’s like, “I think you’d be perfect for it, but Carlton and Carrie obviously are going to be the ones making the decision.” And so, a description was given to me and I was really psyched because, again, it was my favorite show from the year before. So to be able to be a part of it – I was just super psyched. About two or three days later I got a call from Carrie and Carlton and Carrie had explained what she wanted to do with the character and who he was and I was jumping up and down. So it was a blessing that I got the offer for it. And yes, it was beautiful.
Q: Max, like Kenny, you really slipped beautifully into your Dylan role and I wanted to find out what were some of the initial acting challenges you found stepping into the character?
Max Thieriot: I think the biggest challenge is, for me, to grasp and understand where – first we bring in the character that is really not liked for the first few episodes. And so, I thought definitely that one of the challenges would be bringing in a character that everybody instantly doesn’t like and then trying to go through this arc and turn him into somebody that ultimately the viewer can relate to and understand and see through him into the lives of Norma and Norman as this window. And so I thought that that would be, maybe, tough in hoping that everybody accepts the character, but also for the people who are Psycho fans I guess my concern was coming up with a new character that wasn’t in the movies and then being curious about how he would be accepted on the show and if people would buy into it and would basically be welcoming to a new Bates family member. But I think, at the same time with that, there was also a little bit of an easiness to that aspect just because there wasn’t, I felt like, as much high expectations because I’m not redoing a character so we get to start new and fresh and come up with this guy. So I think it was just a lot to think about going in, but ultimately I think the writing is so great and everybody who’s a part of the show and all the other actors that we were able to introduce this new character and have him go through all these different trials and ultimately I think it’s obviously worked out so far and people have been able to understand this guy and relate to him.Yes. That had to be buff accent. That was crazy.
Q: Max, as Kenny has said, you’re turning in one incredible performance this season. How do you relate to him to bring that performance you do?
Max Thieriot: I think the thing about Dylan is he’s constantly in this rollercoaster, this up and down of his emotions and what he goes through in life. And he’s constantly conflicted between family and business and his love life and all these things. So for me, one of the big things about Dylan is the way that he is able to face a challenge and overcome it and the way that he takes a lot of things head-on and is willing to — even though maybe emotionally deep down he’s hurting and he’s going through all these things — physically still march forward and overcome a lot of really unfortunate and sad, disturbing scenarios that he’s given throughout his life. And so I think the thing about Dylan is showing all these different sides to him because he’s a tough kid. He’s grown up by himself and working on oil rigs and is just a roughneck, I guess. At the same time, he has this — and we finally get to see in last night’s episode — really emotional side to him, and that’s this want and this – this want for his mother’s love, basically, and as soon as he thinks that maybe he’s starting to receive her affection, his outlook on life is twisted and taken from him again when he finds out Caleb is potentially his father. So then he comes to the realization that maybe this is why he’s never felt like he totally fit in and Norma’s just been battling with dealing with this herself her whole life. And he says it, that it puts a lot into perspective for him. But I think he’s constantly changing and the thing about Dylan is even though sometimes he shows that he’s consistent on the outside, he’s never really consistent on the inside.
Q: The film Psycho is one of the major milestones of pop cultural history for the past 50 years. Does that ever give you a whole lot of pressure or is it exciting to do that?
Kenny Johnson: I think it’s exciting to do that. Knowing the whole Psycho history, this is definitely – you never see another son introduced and then to have Norma be alive throughout this whole world and to have a brother come in and expose some of her history, at this day and age it’s been so many years since the original movie was shot that I think people are a little more open to play a little bit. Personally, I think it’s brought the whole thing to another dimension. I love it and it doesn’t put any pressure on me. If anything, they’re either going to love you or hate you, but the writing’s so good that it sets it up anyway – it’s such an interesting world that you might have those critics who can obviously find – well this isn’t originally how it was, how could you do this? But then it feels like, in this day and age, everybody’s really open, so they’ve been pretty amazing with the show so far.
Q: Kenny, we’ve seen you do some incredible roles as well, from Sons of Anarchy, the Shield, millions of shows. When you pick a show – you knew you were a fan of this show before. How do you say yes to a show? Obviously the writing on this show is great and everything like that, but when a show comes to you, do you have a set of criteria of things you will or won’t do with a show or that you have to have in it to do it?
Kenny Johnson: I really try to find really good writing for me. There’s so many things that I don’t look at or I won’t and I just feel in my heart of hearts you have one life to live. You’ve got to stay true to what you want to do – for me. And so I’m always looking for some show that’s different and that has interesting writing and this one fell into it. When I watched it, oh God how I would love to be on a show like this. And it felt like, to me, I had an energy connection with it that it just felt like it would be dreamy to me. And so it blew me away when I got a call about playing Caleb. I was just floored and I love challenging roles, roles that maybe aren’t pretty when you look at it. Obviously, the guy’s had sex with his sister, he’s got a son through her — that’s not a pretty picture, but then it brings up so much human exploration to who people really are, where they come from, and what if you really were in this situation. So, it was a very different role for me and to me I love it. I love the challenge and the actors on the show. Again, Max is so amazingly present and open and honest and awesome, as is Vera and Freddie. So, I feel like I got really lucky.
Q: Have we seen the last of Caleb this season?
Kenny Johnson: You haven’t seen the last of Caleb. I can’t tell you when, but you haven’t see the last of Caleb.
Max Thieriot: There we go.
Q: Max, should we be worried for Dylan going forward given how the drug situation is playing out and also that he may be in not the best state of mind moving forward?
Max Thieriot: Yes, definitely. I think given what he’s just learned about himself and the history of where he came from, I think it’s definitely a concern as to how he approaches situations now and if he goes in guns blazing trying to take on the world. I think it’s definitely a concern because he’s already battled with having not a lot to live for throughout his life, and so this is another one of those things thrown in. And I think besides that, it’s always been a concern in his business, especially with the war that’s started going on between these two families. And as he’s climbing the ranks of his business, the higher you get on the totem pole, the more your head’s worth.
Q: What was your first meeting like?
Kenny Johnson: It was outside the makeup trailer.
Max Thieriot: I don’t know. It was cool. It was one of those things – and I think there’s this thing that happens sometimes between guys that you either know – like I’m going to get along with this guy and I’m really going to like him and he and I are going to hit it off. And I think Kenny and I, we had that. At least for me, as soon as I saw him, I was like, I’m going to like this guy. I guess just the energy that he carries is – for me, it’s easy to get along with him, easy to bond and hang out and talk. You just don’t want to arm wrestle him ever. I can tell you from experience it’s a very humbling moment of my life when I thought I had been working out a lot and was very strong and basically felt like a fly arm wrestling an eagle. It was very humbling, really.
Kenny Johnson: I feel the same way. As soon as I saw Max, right away he had this great energy about him and I’m like, okay I’m going to love this dude. This is going to be really good. And we’re going about our business and still hadn’t really acted, and we went through a scene prior to blocking it and you could tell there was this cool thing between us. And then we just got into this thing – yes, I arm wrestle or was ranked top amateur pro in the world a couple years ago. So, I just tricked Max into, like – yes, man, you look really big and he’s into MMA. And I’m like, hey you every arm wrestle? He’s like, yes. So I’m like, you want to arm wrestle? So we got up to the bar and started arm wrestling. It was funny because he was like, what? What the heck? It happened really fast and then finally I told him I’m actually not bad at it. So, it was very funny.
Max Thieriot: Yes, you don’t understand because Kenny’s not small. Kenny’s a buff dude, but he doesn’t – no offense, he didn’t look like a giant to me where I’d be like – you don’t look at him and think, I would never arm wrestle this man. And I’ll tell you what right now, I would never arm wrestle him again in a public place where I wasn’t worried about embarrassing myself.
Kenny Johnson: And I would never wrestle with Max because he’s really good friend with a lot of the top MMA guys and from Max’s side he’s able to take these guys down. So I’m like, okay if we get into a wrestling match, I’m probably going to get embarrassed.
Max Thieriot: Which we will, eventually. You know we will eventually. You know we’re going to.
Kenny Johnson: Yes, I dread the day that you shoot down on me, man.
Q: Are you big Facebook, Twitter guys? And if you are, what are the strangest questions you’ve ever got on either one of them?
Max Thieriot: I can’t even mention some of the weird issues that I get on Twitter, but basically as far as your mind can possibly go into the most sexually deviant type ways. Just picture those messages. And I’ve gotten everything that the dirtiest mind, I think, can come up with. How about you, Kenny?
Kenny Johnson: Yes. I don’t know, I’d have to see what yours say, but it gets – yes. I say the same thing. It’s pretty amazing what people will throw out there.
Q: But going into the process, do you use it — otherwise from the show — socially with your friends and stuff like that? Or is it pretty much just for the business?
Max Thieriot: For me it’s both. I interact with people that I know on there, so that’s always fun to interact with people that you know on Twitter. But then I only really use Twitter. And then the other thing I guess would be – the business side is great. Every once in a while I’ll do a Q&A sort of deal during an episode, and it’s fun to be able to interact with the fans as they watch an episodes and their reactions to scenes that you know are going to happen, and just watch how they react to those things that come up.
Kenny Johnson: Yes, same way. I’ve got a bunch of friends that I like to, I guess, stay in communication with and it’s really fun to Tweet. But at the same time, it’s great to get on for the fans and to throw out things that help the show. I haven’t done the interaction. I’ve been asked a couple of times. I’ve been asked to actually find out how to connect into that to be able to do that while the show’s going on. Max, maybe you can tell me.
Max Thieriot: Yes, I usually – well you can set up through A&E too, and I’m sure (Jamie) can help you with that. But what – I’ll just say hey, this week I’m going – ask questions, hashtag Bates Motel, hashtag ask Max. And I’ll try to answer as many questions as I can and I’ll warn you though, an hour of it gets to be a little crazy.
Kenny Johnson: I can imagine.
Max Thieriot: But it’s cool. It’s nice to be able to – if there’s one thing that I’ve learned, and I think Twitter has changed that a little bit, is it’s a lot of the older – not older, but maybe the generation before me, of actors and one thing that one person told me once was that they wished they made themselves more readily available to their fans because it became almost more of a nightmare for them more than anything that they didn’t. And I think what’s nice is that through Twitter, without personally making yourself readily available, you can still interact with people and be there and I think it’s interesting from a fan’s point of view, to be able to ask questions and potentially have them answered. I don’t know, I think it adds a nice element to the industry of what we do.
Kenny Johnson: I love it. I actually get on after the show’s on, but I didn’t know you could do it during the show. Yes, it is pretty cool.
Max Thieriot: I know. I do always wonder – you notice it blows up during commercials. It’ll blow up right during a commercial and then get quiet, which is good. You’d rather have that than have people blowing it up during the middle of the show.
Q: The first season has been very thermocentric, but we could also see some details this weird – the town itself, White Pine, has secrets. Are we going to see some of that? Is that going to be more explored in the second season?
Max Thieriot: I think we’re going to – yes. There’ll definitely be more secrets to come out and this town just has so much that’s going on in the community. And I think one of the big things we’ll get to explore will be the dynamic between the two drug families that really make up the core of the town and the funding and where the money comes from and how these people are able to survive. We get some more into that, yes.
Bates Motel airs Monday nights at 10 on A&E.